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[200 lettres autographes signées du marquis de Caux adressées à son ami Elkan au sujet d'Adelina Patti, son épouse, 1868-1878] (manuscrit autographe) Item 159

TRANSCRIPTION

Review

Page gauche

elevée dans la salle et Lina a été rappelée

deux fois, au milieu de trépignements et

de hurrahs! Et notez que dans la

Stretta du Final, elle n'a pas une note

à chanter et que s'est par son jeu seul

qu'elle a conquis ces ovations. Elle a eu

un des plus beaux mouvements de scène

que l'on puisse voir, lorsque, folle de

douleur, elle arrache sa couronne de

mariée et la jette par terre; puis revient

devant elle et la regarde fixement

comme si son bonheur envolé était

tout entier écrit dans ces fleurs. Le

public a admirablement compris cette

Page droite

intention et l'a vivement applaudie.

Dans le 2^me acte le magnifique air "Qui

la voce sua soave" et la cabalette "Vien

diletto" ont provoqué un enthousiasme

inénarrable. Dans la cadence avec laquelle

elle termine la seconde reprise de la

cabalette, elle a donné le Fa suraigu

avec une telle netteté que toute la salle

est restée abrutie. - Enfin le duo du 3^me

acte avec le Ténor a été aussi parfait

que le reste. A la fin on l'a rappelée 3 fois,

ce qui à Londres ne s'est jamais fait,

je crois. - Mongini qui n'avait pas été

bon au 1^er acte, ...

Language(s) of Transcription

Français

STORY INFORMATION

Title

[200 lettres autographes signées du marquis de Caux adressées à son ami Elkan au sujet d'Adelina Patti, son épouse, 1868-1878] (manuscrit autographe)

Creator

Caux, Henri de Roger de Cahusac (1826-1889). Author of letters

Caux | Henri de Roger de Cahusac (1826-1889). Auteur de lettres

Source

Bibliothèque nationale de France, département Bibliothèque-musée de l'opéra, NLAS-267

Type

http://data.europeana.eu/concept/17

manuscrit

manuscript

Relation

Catalogue notice: http://catalog.bnf.fr/ark:/12148/cb42724551m

Notice du catalogue : http://catalogue.bnf.fr/ark:/12148/cb42724551m

Rights

https://rightsstatements.org/page/NoC-OKLR/1.0/?relatedURL=https://gallica.bnf.fr/edit/und/conditions-dutilisation-des-contenus-de-gallica

public domain

domaine public

Language

fra

français

fre

Identifier

http://gallica.bnf.fr/ark:/12148/btv1b53054560h

Bibliothèque nationale de France | département Bibliothèque-musée de l'opéra | NLAS-267

LandingPage

https://www.europeana.eu/item/9200519/ark__12148_btv1b53054560h

Country

France

DataProvider

http://data.europeana.eu/organization/1482250000002112001

Provider

http://data.europeana.eu/organization/1482250000002112001

Rights

http://rightsstatements.org/vocab/NoC-OKLR/1.0/

DatasetName

9200519_Ag_BnF_Gallica_typedoc_manuscrits

Begin

1868-01-01

End

1878-12-31

IsShownAt

https://gallica.bnf.fr/ark:/12148/btv1b53054560h

Language

Created

2022-06-01T14:31:07.600377Z

2022-06-01T14:31:07.599848Z

2016-11-25T15:48:20.507Z

file:///usr/local/tomcat/webapps/RDF/XML#1868%2F1878

1868-1878

Story Description

Destinataire non identifié : Monsieur Elkan, habitant 2 rue Royale à Bruxelles. Elkan semble avoir été à la fois l'ami du marquis de Caux et une sorte d'agent pour les tournées de la Patti. - Comprend 200 lettres, 52 télégrammes, 1 carte de visite. - Comprend également 5 programmes et diverses coupures de presse. - Monogramme en relief du marquis de Caux : HC surmonté d'une couronne
Correspondance

[200 lettres autographes signées du marquis de Caux adressées à son ami Elkan au sujet d'Adelina Patti, son épouse, 1868-1878] (manuscrit autographe) Item 159

TRANSCRIPTION

Page gauche

elevée dans la salle et Lina a été rappelée

deux fois, au milieu de trépignements et

de hurrahs! Et notez que dans la

Stretta du Final, elle n'a pas une note

à chanter et que s'est par son jeu seul

qu'elle a conquis ces ovations. Elle a eu

un des plus beaux mouvements de scène

que l'on puisse voir, lorsque, folle de

douleur, elle arrache sa couronne de

mariée et la jette par terre; puis revient

devant elle et la regarde fixement

comme si son bonheur envolé était

tout entier écrit dans ces fleurs. Le

public a admirablement compris cette

Page droite

intention et l'a vivement applaudie.

Dans le 2^me acte le magnifique air "Qui

la voce sua soave" et la cabalette "Vien

diletto" ont provoqué un enthousiasme

inénarrable. Dans la cadence avec laquelle

elle termine la seconde reprise de la

cabalette, elle a donné le Fa suraigu

avec une telle netteté que toute la salle

est restée abrutie. - Enfin le duo du 3^me

acte avec le Ténor a été aussi parfait

que le reste. A la fin on l'a rappelée 3 fois,

ce qui à Londres ne s'est jamais fait,

je crois. - Mongini qui n'avait pas été

bon au 1^er acte, ...

Language(s) of Transcription

Français

Transcription History

2025-04-01 23:11:04wolfgang

Page gauche elevée dans la salle et Lina a été rappelée deux fois, au milieu de trépignements et de hurrahs! Et notez que dans la Stretta du Final, elle n'a pas une note à chanter et que s'est par son jeu seul qu'elle a conquis ces ovations. Elle a eu un des plus beaux mouvements de scène que l'on puisse voir, lorsque, folle de douleur, elle arrache sa couronne de mariée et la jette par terre; puis revient devant elle et la regarde fixement comme si son bonheur envolé était tout entier écrit dans ces fleurs. Le public a admirablement compris cette Page droite intention et l'a vivement applaudie. Dans le 2me acte le magnifique air "Qui la voce sua soave" et la cabalette "Vien diletto" ont provoqué un enthousiasme inénarrable. Dans la cadence avec laquelle elle termine la seconde reprise de la cabalette, elle a donné le Fa suraigu avec une telle netteté que toute la salle est restée abrutie. - Enfin le duo du 3me acte avec le Ténor a été aussi parfait que le reste. A la fin on l'a rappelée 3 fois, ce qui à Londres ne s'est jamais fait, je crois. - Mongini qui n'avait pas été bon au 1er acte, ...

2025-04-01 23:08:08wolfgang

Page gauche elevée dans la salle et Lina a été rappelée deux fois, au milieu de trépignements et de hurrahs! Et notez que dans la Stretta du Fiinal, elle n'a pas une note à chanter et que s'est par son jeu seul qu'elle a conquis ces ovations. Elle a eu un des plus beaux mouvements de scène que l'on puisse voir, lorsque, folle de douleur, elle arrache sa couronne de mariée et la jette par terre; puis revient devant elle et la regarde fixément comme si son bonheur envolé était tout entier écrit dans ces fleurs. Le public a admirablement compris cette Page droite intention et l'a vivement applaudie. Dans le 2me acte le magnifique air "Qui la voce sua soave" et la cabalette "Vien diletto" ont provoqué un enthousiasme inénarrable. Dans la cadence avec laquelle elle termine la seconde reprise de la cabalette, elle a donné le Fa suraigu avec une telle netteté que toute la salle est restée abrutie. - Enfin le duo du 3me acte avec le Ténor a été aussi parfait que le reste. A la fin on l'a rappelée 3 fois, ce qui à Londres ne s'est jamais fait, je crois. - Mongini qui n'avait pas été bon au 1er acte, [...?]

2025-04-01 22:54:26wolfgang

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[200 lettres autographes signées du marquis de Caux adressées à son ami Elkan au sujet d'Adelina Patti, son épouse, 1868-1878] (manuscrit autographe) Item 159

TRANSCRIPTION

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LOCATION

ABOUT THIS DOCUMENT

Language of Description

STORY INFORMATION

Language(s) of Transcription

English Translation

Transcription History

Verify Automatically Identified Enrichments

Verify Automatically Identified Locations

Verify Automatically Identified Persons

Enrichment Mode

Step 1: Transcription

Step 2: Description

Step 3: Location

Step 4: Tagging

Step 5: Mark for Review

Formatting

Review

Completion Statuses

Miles and Levels

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[200 lettres autographes signées du marquis de Caux adressées à son ami Elkan au sujet d'Adelina Patti, son épouse, 1868-1878] (manuscrit autographe) Item 159

TRANSCRIPTION

Language(s) of Transcription

LOCATION

ABOUT THIS DOCUMENT

Document Date

Document Type

Document Description

Language of Description

Keywords

External Web Resources

People

STORY INFORMATION

Language(s) of Transcription

English Translation

Transcription History

Verify Automatically Identified Enrichments

Verify Automatically Identified Locations

Verify Automatically Identified Persons

Enrichment Mode

Step 1: Transcription

Step 2: Description

Step 3: Location

Step 4: Tagging

Step 5: Mark for Review

Formatting

Review

Completion Statuses

Miles and Levels